Each man kills the things he loves, but this “holf-man” just strives to save and protect — at the expense of himself. The gentle portrayal occasionally takes on a fairytale quality, but the repeated emphasis on inmates’ inability to adapt to freedom proves ultimately pessimistic.
#72ndBerlinale 也是Carlos Reygadas, Amat Escalante那一掛的，視聽(tīng)和剪輯非常之驚艷，主競(jìng)賽唯一一部長(zhǎng)片首作，大概率會(huì)給獎(jiǎng)吧。//Visit Films 評(píng)審團(tuán)獎(jiǎng)
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